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Saturday, 8 October 2011

Music and Sexism (1)

There's a lot of talk about sexism in music. To be honest I don't work in music, so I have no idea if Lady Gaga was wearing a meat dress to be provocative or because her manager told her she needed to make sure a certain percentage of her skin was on show at all times and that was the dress that fitted those requirements. Either way I'm sure the bottom line was about sales. It seems nowadays you sell music through sex, through controversy, or, preferably, both.

People aren’t just judged on their talent anymore, because they have to sell magazine covers, posters, and films as well and who wants to look at someone ugly? Sure there are the ‘real’ girls, but are you telling me that all girls with real curves look like Beyonce? Or that Adele’s isn’t stunning in her own right? (And not in a ‘oh I’m a woman of course I think she’s nice’ way, I mean in a ‘I spent so long staring at your eyes in the first Rolling in the Deep video I didn’t actually hear any of the song’ way). Because let’s be honest, music is akin to Hollywood and there are no ugly girls in Hollywood. If you look average (or worse) you aren’t going to get a pop record deal, end of.

Let’s just say there are three kinds of girls – there’s the bog basic, hot and sexy; the Beyonces (cos I’m sorry ‘real curves’ or not Beyonce is absolutely stunning and there is no way in hell she represents the average girl with legs like those). Next you have the ‘real’ girls, who shall now be known as ‘Adeles’. And, finally there is the relatively new phenomenon of ‘perhaps only average looking but deliberately (and often sexually) provocative and perfectly OK with flashing most of their skin at once’; the Gagas. Now we can at once start fitting girls into these categories. Rihanna= Beyonce, Beth Ditto = Adele, Nicki Minaj = Gaga, Brittney = Beyonce etc. Blah blah blah. Look, I’m not the first person to say this and I won’t be the last. What really interests me is the guys.

Let’s be honest, if Justin Bieber had bad hair and acne he would not be half as popular as he is. Ditto One Direction, or any other pop sensation currently taking over the Trending Topics. In fact I would argue a guy has no more chance of being successful in pop if he can’t be an appropriate poster boy than any of the girls do. Just because your posters are trying to cater for teenage girls instead of middle aged men shouldn’t make them any less degrading, it doesn't change the direction of the photographers.

In fact it’s possibly even worse for the guys because in general they aren’t even allowed to fight this path on their own. They have to be part of boy bands and effectively COMPETE for the attention with their co-stars. If another guy is sexier maybe they can try and play the ‘bad guy’ or ‘the cute one’. And if they don’t fulfil this role adequately then I’m sure there are other guys out there who can hold a mic, look hot and dance at the same time. Being in a group makes you more easily replaceable, and yet given the current female domination of the market, being in a group for a guy is also the greatest chance you have of becoming a pop star, so you’re really going to have to fight if you want to stay there. Or learn to rap.

But then the rappers aren’t coming off that lightly. They too have to look after their appearance. Sure rappers brag about how they can now afford the personal trainers to get them looking buff, or the posh suits to make them look smart, or the chains to make them look cool. But it can’t be true that all of them want to dress like that (just like it can’t be true all the girls supposedly hate dressing slutty) or that they all want to spend 4 hours a day in the gym. Their image is as much defined by media stereotypes as that of the girls. I wouldn’t be surprised if there were stories on Plan B’s new ‘svelte’ figure just before his next album drops or perhaps something about Ed Sheeran smartening up for the next movie première.

Except maybe I would be surprised because although the gossip magazines talk about it, the expectation for men to look good seems to be a lot more hidden. There’s lots of talk about how ‘it’s so easy for men’ or how men are allowed to get old gracefully but it can’t be so easy for everyone. Perhaps it’s not two hours in the gym every morning, two hours for hair and make-up and an hour of carefully considered little black dress selection just for a five minute TV appearance, but maybe it’s 3 hours in the gym every morning, a 30 minute carefully considered anti-acne facial regime, a trip to the barber’s and an hour of carefully considered pink shirt selection so that you fit on the right side of metro sexual but not too close to ‘gay’. (And let’s not even get started on the rules for gays and gender undefined people in music. Just read this if you want to know more.)

Now like I said at the start – I don’t work in music. I’m also not a guy. So I don’t really know what happens as far as male sexism in music is concerned. But I can’t help but think that something isn’t right when two legitimate music headlines are allowed to be ‘Adele cancels US tour’ and ‘Tupac sex tape leak’. Given that any ‘music’ headlines should be about the music.

What’s more, let’s go back to that third group of girls; the Gagas. I’m one of those people who doesn’t actually think Gaga is attractive (either in a sexy way or a girly ‘nice’ way) but let’s be honest; she’s found a way to break the pop sexism barrier IN SPITE of this. Just to be so over the top no one actually cares what you look like, they care what everyday object you’re employing to not entirely cover up your skin this time. And it’s something other girls are copying too. (Check this article on Before Gaga and After Gaga for more.)

This gives us an interesting dilemma; if the girls can just dress crazy to escape the sexism (and what’s more – it is actually this that is expected of them at the minute, and whether it involves copious flesh flashing or not seems to be optional) then where does that leave those people who think pop sexism is harder for girls than guys? There doesn’t seem to be the same get-out-of-jail-free card out there for them at the minute.

I’m not trying to say that guys have it worse than girls in music. I’m also not trying to say girls are not subjected to sexism in pop and that there is no longer a requirement to be attractive in order to be successful. All I’m trying to say is that perhaps the situation is changing, and that much as the stereotypes of what is ‘sexy’ or ‘cool’ change, then perhaps it might be time to update your stereotype of what is sexism in music and what is choice. Just a thought.

Saturday, 1 October 2011

A letter to Moombahton

Dear Moombahton

When we first met all those months ago I was so naive. You seemed to be everything I wanted in a genre, you had all the best bits from all those other genres I've fallen in love with and you used them so well! The way you mixed Latin and Reggaeton influences, the way you seemed to be effortlessly cool and endlessly upbeat - I loved it all.

I still remember the first time we met (on the Brodinski introduction to Moombahton mixtape) and I knew from that first drum sound that this was real love. You brightened a cold, dreary March and made me feel like we could live in an endless summer!

Since then I've followed you everywhere (although mainly on twitter). I've brought you into my bedroom, just to blast you from the speakers 12 hours a day. I was even ready to try and introduce you to my family, see if they liked you as much as I did. But I see now that I was wrong, you are not the Moombahton I met at the start.

It seems as though your Latin side was just a pretence, a trick to draw in the ladies and make them swoon only to have them find out that underneath you're not Latin at all, your just the American cousin of Dubstep pretending to be Latino. All those 'whomp whomp' sound effects aren't so cool when you're just copying someone else.

And I know it's hard to go out on the streets, to believe in yourself, make your mark, but just because it's hard at first doesn't mean you have to go copy all the other guys, the 'tough' guys, the guys who rule all the dancefloors. You can get there too - you just have to be patient! Except now everyone just sees you like Dubstep's little brother, acting like you're different but secretly desperate to be just as good. I liked you more when you were arrogant enough to think any song would be better just to have tasted you. Now that era is just a trail of abandoned remixes.

But it's ok - I understand, this is what happens to a genre when it starts to meet the masses. It has to adapt, bend to fit in, stop carving a niche and start to put itself in all the holes already carved for you. I mean look at when everyone's favourite next big indie band start to go too 'pop'.

And yes I know, like the indie bands, this isn't all your fault and it isn't the same for everyone. In fact that friend of yours, Moombahsoul, seems to be doing pretty well at the minute and, you know, she's kinda cute.

I guess what I'm saying is that we need to take look at our relationship. I don't think I'm getting out of it what I wanted and that upsets me, but I understand you want the chance to follow the path your on - who doesn't want to be successful? So I'm gonna go mess around with your friends a bit, and maybe I'll come back in a few months or so? Although if you still haven't changed, it might be over for us.

I hope you understand - but really it's not me, it's you.

Yours

Lucy

Tuesday, 27 September 2011

Azealia Banks

Ok so today on twitter there was a post from Annie Mac (@anniemacdj);

RT I want to be Azealia Banks. (co-sign)

Now obviously, being an inquisitive person I decided to do a quick google search and came across her soundcloud. I put it on and carried on with my stuff. I stopped in my tracks. Literally stopped, just to listen.

Let me get this straight, I listen to a lot of music, not all of it is good but, to me at least, most of it is pretty damn alright. But it's generally background noise for whatever else I'm doing (like reading twitter, cooking, [not] writing essays) 'cos I'm kinda silence-phobic. Unless I'm at work, in a lecture or asleep, I'm listening to music. Exams drive me crazy purely 'cos of the silence. But more often than not the music is just playing. I'm listening but not really taking it in, so when the occasional song catches my ear - I notice. And '212' got me. REALLY got me.

I mean I was just staring at the wall listening. I was ready to write a blog post then and there about my new favourite band; the music, the (inevitable?) comparisons with M.I.A., if anyone will join my sweepstakes for how long it takes the media to generally (as a collective) spell her name correctly. . .and then I kinda got a bit non-plussed again so I didn't.

But '212' really got me. I played it again and suddenly I worked it out. You know what it was? What stopped me in my tracks? It was the word 'cunt'. Said repeatedly. By a girl. And I think that might be it.

The song's good - but swearing still pricks up your ears more. I mean what does this say? It's not like I don't hear swearing in songs, and I genuinely used to get swearing lessons from my dad. In fact my brother and dad use 'cunt' as a term of endearment. But still. . .surely we live in a world where a girl saying cunt doesn't stop you in your tracks? Isn't there feminism and stuff?

Basically that's it. I have no explanation - it's just something that bugged me. Swearing should never be bigger than the music. But I'm gonna go play it again now. Fuck it.

Wednesday, 1 June 2011

Kreayshawn

I swear to god I've tried to keep my mouth shut. Nobody wants a rant. But the girl got signed to SONY and I just have to do this.

First watch this. Provided you haven't already.


I know exactly how many times I have watched this (3). I also know that I have spent most of the time since unable to get the hook out of my head. (Including a particularly horrible 6 hour shift at work.)

This is a good thing I hear you argue. It means it is catchy. This is what Sony are looking for. That's fine. I have no problem with that. Just like I have no real problems with the song. Except one. What is this hook that plagues me? (Ok 'plagued' is perhaps OTT)

Some of you will say 'Gucci Gucci Louis Louis Fendi Fendi Prada', some of you will say 'One big room, full of bad bitches'. THIS IS MY PROBLEM. THERE ARE TWO HOOKS.

What's my problem? That's a good thing, you say.

THEY SOUND LIKE THEY ARE FROM TWO DIFFERENT SONGS THAT HAVE BEEN CARELESSLY HASHED TOGETHER. IT DOESN'T MAKE SENSE.

One catchy hook is good, two is excellent, but the song still has to make sense. I get the really tenuous link between the two (Perhaps all the bad bitches are wearing Gucci!?) but then the verses are all bragging (which is what hiphop is and its awesome at it, this is not my complaint). It doesn't fit.

There's a producer somewhere deep inside me. Granted it is not a very good one, nor has it ever seen the light of day, but all it wants to do is separate these two hooks into two songs. The girl's good, if she's signed to Sony she must have enough rhymes to write two separate songs, so why has she released one that sounds like it was two demos smashed together? The two hooks even sound uncomfortable layered over the top of each other. Its clumsy.

All I want is two separate songs. I think both of them would be awesome. I would listen to them until my ears couldn't take it anymore. I just don't want them pushed together. It's not much to ask, is it?

UPDATE; As if to prove my point I just found this. (Skip to 2.07.)


Do not push songs together. However great you think your hooks are. Let them live separate lives. (Or at least don't expect me to not notice. Bitch. :P)

Monday, 16 May 2011

Those Dancing Days

For some reason I decided to try the whole 'being a good student' thing this semester. It's going alright I guess. Boring though. Anyway it means Those Dancing Days last week was my first gig of the year. (I know!) Plus it means I actually printed off work to do on the train there and back. I'll be honest - it felt wrong.

Anyway short of the work, and getting lost and the man in me not asking for directions, and then getting half-sneaked in 'cos I didn't have a ticket - I had a great time. I feel at this point we should make one thing clear; a lot of the reviews/tweets I've read (3) seem to talk about the noticeable screaming. I'm pretty sure this wasn't just me. However I do remind you this was my first gig of the year (I KNOW!)

It started well*. Reaching Forward, album opener. Amazing. Then into I'll Be Yours. (I should explain at this point that most of my friends seem to assume I have no emotions, to the extent that when I get all wide-eyed about Slow Loris' with Cocktail Umbrellas they tell me off because it scares them.) Anyway I'm not a slushy song sort of person yet this song has somehow become so loved by me it's my ringtone. I was actually a little bit overwhelmed to hear it so early in the set. There was a moment in verse two when Cissi got all super-time on the drums and everyone looked over at her like they were annoyed they now had to play fast too. I kinda hope it was intentional. I like in-jokes (not that it was an in-joke involving me. I think I would actually have a restraining order if it'd got that far).


The set carried on mirroring the 2nd album track list pretty closely, minus 'Fuckarias' and including a few album one tunes. It was fun. It was dancy, it was well played, it was very very enjoyable. At some point I text my best friend the words 'TDD much hotter IRL' and then ranked them. I'm not proud of this, but that's how caught up in the moment I was. It also explains why I proposed on twitter the next day. (Not a stalker. Honest.)

Set closer was amazing. Ok it was a little bit pretentious. The whole 'I'm finished so I'm going to put my instrument down and walk off, then in four bars time someone else can do the same, until it's just the guitar loop feeding back of the speakers left'. I'm intrigued to see how this translates to festivals where you DON'T GET AN ENCORE. I mean have TDD even thought about this? Speaking of which, Fuckarias obviously made it's appearance during the encore. Having been really good until this point, I decided there was no longer any point in keeping my feet on the ground for the duration and started doing that weird, half jump moshy type dance you do when noone else seems to really be joining in and your bag (complete with academic articles and scary stary-eyes on the front) is a bit too big to let you move properly. It was good.


My best friend has promised to help with ranking at glasto. I apologise to the band now. But I can guarantee we'll be the two girls dancing our asses off somewhere near the front. Make sure you say hello.


(*Getting lost meant I missed the support act, which means you don't get to read my amazingly judgemental review of a band I will fall in love with in three months time just because I hear them on the radio too much. Shame. If you want to experience something along these lines, I direct you back to last year's Drums review)

Wednesday, 12 January 2011

Sound of 2011

Ok you know I love the sound of 2011. It's like the mercury prize. Very few people seem to have heard of it, it's a little bit pretentious, but it does actually make a difference. Well a little bit.

If you want the full line-up/winners/interviews it's all on the BBC site. Obviously I have an opinion/some issues, and obviously I'm going to tell you about it, because I'm just pretentious enough think it matters.


1) I think they got it wrong.
Ok, as far as I'm aware everyone they ask gets one vote and then all of these get summed up to give the results. Plus the rules are a bit confusing (in terms of how much 'success' they've had before hand). Which would mean there is no discussion, no re-polling based on the shortlist, and therefore a whole lot of 'ooh yeah I forgot about them' when the list comes out. So basically I think the real list should have gone; Jessie J/Wretch-32/Nero/The Vaccines/James Blake. Possibly in that order.

2) There are issues with similar artists being posted.
Now fair enough both Jamie Woon and James Blake might be big next year, but surely they are going to have the same audience. So really the list should include 1 rock band/1 minimalist-new generation dubstep/1 chill rock/1 solo artist/1 urban in order to cover all bases. Or something like that. Because now if people don't get post-dubstep then your going to be wrong TWICE BBC poll people. (Though in all honesty if you look at previous lists there have been some major upsets. Like lady Gaga not getting voted number 1. . .)

3) They didn't get my opinion.
Ok it's not like they would, but if they did then I want to see Yuck and Wretch 32 in there because I've loved them longtime. (We're talking Cajun Dance Party days for Yuck - and the original Wretch Breakthrough track.) Jessie J would stay, because I like hearing her interviews and I do genuinely think she's going to be massive (It's still a female world). James Blake for being original. And probably Anna Calvi just for the amount of twitter hype she generated. Or maybe Nero because I'm sure I'm right about that one.

So, to sum up, that's at least one band I really like, one that's massively over-hyped by industry-types (and go most years end up filed in the 'fail' column), one act with real potential to be huge, one that fits the trend of the time, and one who's a bit different.

Ok that's it. Just thought I should clear it up. And for those who are still interested, I base all of the above on the following opinions;

Anna Calvi - Drove twitter wild when Domino introduced her as their signing. Still actually haven't heard anything (mainly because I'm trying to avoid it for fear of the hype)

Clare Maguire - Amazing voice but her biggest hit so far is dubstep remix of her latest single, which probably says that she won't be massive, but will be loved by the people who do know her.

Daley - Unusual, works well on the Gorillaz track. Not sure the UK is ready for male solo artists again.

Esben & The Witch - Don't know enough to comment. Had heard of them but only a bit, genuinely didn't realise they had so many people behind them. Intriguing.

Jai Paul - Really nice music. Well that one song I've heard. The one that kind of sinks into the background if your not paying attention.

James Blake - Really original, although I'm not sure if the pop charts are ready. The music fans are, but I don't know about the downloading tweenagers who determine success.

Jamie Woon - Would be original, if James Blake hadn't just got there first (and yes I know Night Air is six years old - we just didn't hear it til 2010).

Jessie J - Popstress extrordinaire. Ready for world domination. Major stars singing her praises. Genuine person.

Mona - Have generated as much twitter hate as Anni Calvi got hype. Probably because they got lots of hype from pretentious music types who then pretended to hate them. Or they're actually shit.

The Naked and Famous - I get it. I just don't like it. I'm sorry.

Nero - Strong, dance music that fits perfectly in the current musical landscape. Will do well in 2011.

The Vaccines - Ok so we have guitar bands again, but actually the Vaccines are nothing special so can everyone stop pretending like they are? I don't want to hate them for the hype, but can we tone it down a bit? Even if they are going to be jumped on by starved indie fans.

Warpaint - Again genuinely nice music that I enjoy and occasionally don't realise I'm listening to. What's with all these chillout artists? Did they poll people on a beach somewhere abroad?

Wretch 32 - I hope he makes it this time. Has some great lyrics and some cheesy ones that make him a perfect pop/rap star.

Yuck - Oh Cajun Dance Party why were you not more successful? Was it the Kooks? Did they steal your thunder? Please world do not let the Vaccines be bigger than Yuck. Or at least let them do better this time round. (NB Yuck are not the same as Cajun Dance Party, they are formed from the ashes of, but in my head its all the same)

Saturday, 8 January 2011

Review of 2010 Part 4

Last installment. Sorry for delays I had 'internet issues' (aka Dad why won't you tell me the wifi password you old cynic!) Some of these are probably still to be released etc, but they are all good.

October-December

Sway – Over (Game Over Freestyle) http://www.youtube.com/watch?v=dCUedTcpFbw

Saintsaviour – Woman Scorned http://www.youtube.com/watch?v=3hPwZv3nMMg

Chase and Status ft Tempa T – Hypest Hype http://www.youtube.com/watch?v=W2Uwu5GR3eI

Mark Ronson & The Business International ft Boy George – Somebody to Love Me http://www.youtube.com/watch?v=b7MmqD4ovwg

The Count & Sinden ft Bashy – Addicted to You http://www.youtube.com/watch?v=HhcdpfIMJ-Y

Lykke Li – Get Some http://www.youtube.com/watch?v=-TTPGAy5H_E

Spark – Revolving http://www.youtube.com/watch?v=TfCd5eomm2U

Jagga – Keep On The Light http://www.youtube.com/watch?v=GcFoCphARow

Far East Movement Ft Dev & The Cataracs – Like a G6 http://www.youtube.com/watch?v=w4s6H4ku6ZY

Jessie J – Do it Like a Dude (Jakwob Remix) http://www.youtube.com/watch?v=n_FvP8YnO_k (http://www.youtube.com/watch?v=pOf3kYtwASo)

Adele – Rolling in the Deep http://www.youtube.com/watch?v=lazyDlfaptM

Willow Smith –Whip my Hair http://www.youtube.com/watch?v=o5mKAgb5px0

Various – Game Over (Female Takeover) http://www.youtube.com/watch?v=innL5g7otS8

Mz Bratt – Get Dark http://www.youtube.com/watch?v=qaKmQcSNpBU

Bullitts ft Jay Electronica & Lucy Liu – Close your Eyes http://www.youtube.com/watch?v=LmozhjxSkGI

Poly Styrene – Black Christmas (Kahn Remix) http://soundcloud.com/search?q[fulltext]=kahn+styrene

Babycham ft Bounty Killer and Mykal Rose – Stronger http://www.youtube.com/watch?v=axVQcuJ6odo

Clare Maguire – Ain’t Nobody (Breakage Remix) http://www.youtube.com/watch?v=YSbWfBZIjgE&feature=related

Devlin - Brainwashed http://www.youtube.com/watch?v=XRob2t2PPek

Magnetic Man ft Ms Dynamite – Fire http://www.youtube.com/watch?v=fKO-Fa05QHE

Friday, 7 January 2011

Review of 2010 Part 3

July-September

Kele – Walk Tall http://www.youtube.com/watch?v=E09cirRXbo4

DJ Fresh – Gold Dust http://www.youtube.com/watch?v=RNuUgbUzM8U

Swedish House Mafia Vs Tinie Tempah – Miami to Ibiza http://www.youtube.com/watch?v=LCH1AsUydSc

Arcade Fire – We Used to Wait http://www.thewildernessdowntown.com/

Sleigh Bells – Infinity Guitars http://www.youtube.com/watch?v=uf2Ezo8SbSY

Janelle Monae ft Big Boi – Tight Rope http://www.youtube.com/watch?v=pwnefUaKCbc

Duck Sauce – Barbara Streisand http://www.youtube.com/watch?v=uu_zwdmz0hE

Nicki and The Dove – DJ, Ease My Mind http://www.youtube.com/watch?v=BTHPO9uQonk

Janelle Monae – Cold War http://www.youtube.com/watch?v=lqmORiHNtN4

I Blame Coco – Quicker http://www.youtube.com/watch?v=EedTVoq_Y6o

Toddla T ft Wayne Marshall – Sky Surfing http://www.youtube.com/watch?v=Uozmvb3yPLc

Kanye West, Rick Ross, Jay-Z, Nicki Minaj & Bon Iver – Monster http://www.youtube.com/watch?v=Pe0MbRJv4fg

Shy FX Ft Kano, Donaeo and Roses Gabor – Raver http://www.youtube.com/watch?v=UzYlQFGAb24

Gaggle – I Like Cigarettes http://www.youtube.com/watch?v=vQw1gJ5DJds

Skepta ft Preeya Kalidas – Cross My Heart http://www.youtube.com/watch?v=ebfMLSAF6Ak

Kelly Rowland – Commander http://www.youtube.com/watch?v=dwfKZ-1jyiw

Get Cape. Wear Cape. Fly. ft Shy FX – Collapsing Cities http://www.youtube.com/watch?v=b8yXgpbN-5M

Paloma Faith – Upside Down (Or practically anything off the album) http://www.youtube.com/watch?v=yKIM3SkR45I

B.O.B. ft Hayley Williams – Airplanes http://www.youtube.com/watch?v=kn6-c223DUU

Ou Est Le Swimming Pool – Dance the Way I Feel (Armand Van Helden Remix) http://www.youtube.com/watch?v=pkCzEnbbvNE

Wednesday, 5 January 2011

Review of 2010 Part 2

Much debate here, I mean was the Lithuanian Eurovision entry by Inculto really one of my songs of May 2010? (In the end I decided it wasn't, but it definitely should have qualified for the final show, instead I included JLS on the list), but after much deliberation, here is part 2;

April- June

Gaggle – I Hear Flies http://www.youtube.com/watch?v=Mkx8j6-ymgg

Redlight ft. Ms Dynamite – What You Talking About http://www.youtube.com/watch?v=N3piv9EFZU8

Kanye West – Power http://www.youtube.com/watch?v=L53gjP-TtGE

Sleigh Bells – Tell ‘Em http://www.youtube.com/watch?v=2kJ05P-71gY

Major Lazer – Pon De Floor (Martelo Reedit) Unfindable. Pretty much the only way I know to get hold of it is the Annie Mac sunshine players mix (which you download anyway) http://www.anniemacpresents.com/blog.php?id=191

Marina and the Diamonds – I am Not A Robot (Doorly Remix) http://www.youtube.com/watch?v=LghkOhUYYnQ

M.I.A. – XXXO http://www.youtube.com/watch?v=sfbQ5mHWkOs

Katy B – Katy on a Mission http://www.youtube.com/watch?v=qNhPYj-5rIY

Chase and Status ft Dizzee Rascal – Heavy http://www.youtube.com/watch?v=awfUqPXbNtU

Professor Green Ft Lily Allen – Just be Good to Green http://www.youtube.com/watch?v=7Kk-dgcTSwY

Major Lazer vs La Roux ft Rusko – Tiger Lily (DYWHAP Blend) http://www.youtube.com/watch?v=s_Gw9Tt6GMk

Donaeo & Breakage – Speechless http://www.youtube.com/watch?v=pyXB6Z-lwsc

Rihanna – Te Amo http://www.youtube.com/watch?v=Oe4Ic7fHWf8

Skepta – Rescue Me http://www.youtube.com/watch?v=6TTceYEJif4

Akala – Yours and My Children http://www.youtube.com/watch?v=xqoZ3zaMXjU

Sage Francis – Best Of Times http://www.youtube.com/watch?v=VA8hzUDXvtk

Chemical Brothers – Swoon http://www.youtube.com/watch?v=CCp_3zw-CxA

Slow Club – Giving Up on Love http://www.youtube.com/watch?v=-qzOOg4pxw8

James Blake – CMYK http://www.youtube.com/watch?v=rqScKIZaurE

JLS – The Club Is Alive http://www.youtube.com/watch?v=-w6cYoEu_P4 (Not kidding, actually loved this song – guilty pleasure.)

Tuesday, 4 January 2011

Review of 2010 Part 1

So because it’s now the New Year and you obviously haven’t got bored of End of Year/What to Look For in the New Year lists, I decided it was time to post my own. I’ve split it into four sections (So you get one every day this week) covering the whole year. You might not like them, they might not be massive songs, they may not necessarily been released during that period of time, all I know is that I loved them and I played them a lot, so here they are.

Jan-March

Emika – Drop the Other http://www.youtube.com/watch?v=7bJyaCRXhjM

Giggs Ft B.O.B. – Don’t Go There http://www.youtube.com/watch?v=-EuI2_pjDlM

Goldilocks – Cold Sweat http://www.youtube.com/watch?v=F1Vt9KNvIIg

Theophilus London – Humdrum Town http://www.youtube.com/watch?v=gypiIfMJYro

Nas & Damian Marley – As We Enter http://www.youtube.com/watch?v=OMGd3mAfl-0

Die Antwoord – Enter the Ninja http://www.youtube.com/watch?v=cegdR0GiJl4

Two Door Cinema Club – Undercover Martyn http://www.youtube.com/watch?v=LLK4oaXUuLg

Chew Lips – Play Together http://www.youtube.com/watch?v=u89t4-9-kM8

Marina & The Diamonds – Guilty http://www.youtube.com/watch?v=2m14_EuxhLw

Ellie Goulding – Guns and Horses http://www.youtube.com/watch?v=IDwbHeR0UYc

Sub Focus Ft. Coco – Splash http://www.youtube.com/watch?v=mzKSdi5ZUsQ

Erik Hassle – Hurtful http://www.youtube.com/watch?v=cLr7mAFegkQ

Laura Marling – Devil’s Spoke http://www.youtube.com/watch?v=GDJPRRUH07k

Marina Hollywood – Hollywood (Acoustic) http://www.youtube.com/watch?v=8JHINokmH6w

Twizzle vs Greenmoney – Skydiving http://www.youtube.com/watch?v=x_aVToZN_k8

Wild Beasts – We Still Got The Taste Dancin’ On Our Tongues http://www.youtube.com/watch?v=GkkJCSduFS0

Audio Bullys – Daisy Chains http://www.youtube.com/watch?v=yCq9N3bUX44

Big Boi – Shutterbugg http://www.youtube.com/watch?v=rWsvkW6rKkQ

Yeasayer - O.N.E. http://www.youtube.com/watch?v=fLrKDGZx15c

Joy Orbison – Hyph Mngo http://www.youtube.com/watch?v=vsJVW5apRmY